Elvis, for many, isnĄ¯t just a rockstar; he is an emotion - one which canĄ¯t be overridden by anyone else, an emotion which canĄ¯t be imitated by anyone else.?
Austin ButlerĄ¯s portrayal of Elvis has probably come the closest to the perfection of imitating this rockstar. The film recently became available digitally and is getting a lot of appreciation for AustinĄ¯s performance and well-crafted screenplay.?
At the Cannes Film festival, Elvis got a 12-minute long standing ovation from the audience. This movie entirely is an Austin ButlerĄ¯s show; getting close to ElvisĄ¯ roller coaster life portrayal may be its purpose, but itĄ¯s precisely become the best performance Austin can give, and itĄ¯s certainly very hard to match his calibre.
Elvis has all the necessary components for a successful musical and biography. You either love or despise Luhrmann's aggressive approach to directing. Coming back to the main highlight of the movie, Austin Butler. He successfully created a portrait of Elvis that is larger than life. His performance is unquestionably among the film's great points. He accurately reproduces Elvis Presley's many vocal ranges and tones throughout his various life stages.
Butler persuades us when he demonstrates Elvis's bond with his mother, wife, and followers. He can capture the allure of Elvis' stardom while also ensuring that we recognise the singer's humanity by depicting the sorrow and suffering Elvis experienced. However, the film stumbles down at places throughout the runtime when it fixates on Colonel Tom Parker, itĄ¯s a beauty to watch Tom Hanks's performance as Colonel Parker, but as I said earlier, itĄ¯s an Austin Butler show and anything else coming in his way just looks like a shortcoming of the movie.
The film is a tribute to art, music, and Elvis. Austin Butler's colourful on-screen persona meshes perfectly with Luhrmann's outrageous directing style. The movie explodes in front of our eyes and maintains a dramatic tone the entire time, just like Elvis did when he entered 1960s popular culture. Throughout the years, there have been many portrayals of Elvis like Kurt Russell in John CarpenterĄ¯s Elvis, Rob Youngblood in Elvis and Colonel, Val Kilmer in True Romance, Bruce Campbell in Bubba Ho-Tep or Michael Shannon in the goofy Elvis & Nixon, none of them has come close to AustinĄ¯s spectacular portrayal of Elvis.
Despite Parker, Sam Bromell, Craig Pearce, and Jeremy Doner, Luhrmann's co-writers, are unambiguous about the true causes of Presley's success, from the scenes in which the young Elvis is moved by the gospel spirit in the church to those in which Big Mama Thornton is rocking Hound Dog upstairs at Club Handy, Little Richard is providing flamboyant inspiration, and Mahalia Jackson is creating "the music that makes me happy." The icing on the cake for a movie that knows its subject but isn't afraid to play fast and loose with a piece of well-known music is a moving drop of Elvis' spoken-word rendition of Men with Broken Hearts during the end credits singing of In the Ghetto.
Olivia DeJonge, who played the role of wife Priscilla, Kevin Harrison Jr., who played the role of B.B King of Alton Mason, who played the role of Little Richard, all played their characters extraordinarily. The use of musicians from Doja Cat to M?neskin to Eminem to Jack White to Diplo did their covers in the movie and presented an amazing rendition of PresleyĄ¯s legacy. Overall, Luhrmann's Elvis is a beautifully executed ode to the legend, which will be remembered hugely because of Austin ButlerĄ¯s portrayal.??
(To?read more such stories related to movies and shows released on OTTs, keep reading?Indiatimes BINGE)