Fans Revisit Manoj Bajpayee¡¯s Satya Days As The Actor Grooves To Remix Of His Song ¡®Kudi Meri¡¯

Asha Bhosle and Suresh Wadkar¡¯s sung ¡®Sapne Me Milti Hai¡¯ became a song of every wedding and household. Barely anyone can forget this song from the film Satya (1998) which made the country groove with its quirky tune. The song which originally featured Manoj Bajpayee and Shefali Shah now has a remix.

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Featuring Dhvani Bhanushali and Abhimanyu Dassani, the remix is titled ¡®Kudi Meri¡¯. Sung by Yash Narvekar and Dhvani, the song also has a cameo of the OG star Manoj Bajpayee by the song¡¯s end.

Amidst people¡¯s mixed reactions to the song, fans are happy that they could see Manoj revisiting his iconic character of Satya. Towards the video¡¯s end, Manoj enters the frame looking dapper in an all-black get-up. He raises his gun in the air and channels his Satya character, and asks, ¡°Mumbai ka king Kaun?¡± In reply, the crowd screams, ¡°Bhiku Mhatre.¡± Manoj then joins Dhvani and Abhimanyu as they dance together in free spirits. Watch here:

Directed by Ram Gopal Varma, Satya featured Manoj and Shefali alongside Urmila Matondkar and Saurabh Shukla. The film is credited as the whistleblower of gangster films in Bollywood. Anurag Kashyap co-wrote the film with Ram Gopal Varma. Wouldn¡¯t we want to see the original version now? Here it is:-

Recently when South-originated film started ruling over all other film industries, Manoj Bajpayee opened up on the same earlier this year.

Manoj Bajpayee told Delhi Times, "Itni blockbuster ho Rahi hai (there are so many blockbusters)... forget about Manoj Bajpayee and the likes of me for a minute, it has sent a shiver down the spine of all the mainstream filmmakers from the Mumbai film industry. They really don¡¯t know where to look."

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He further hailed the makers of South industry and said, "They are unapologetic, they are passionate, and every shot they take as if they are taking the best shot in the world¡­They shoot a film as they have envisioned it, they don¡¯t dumb it down for the audience because they hold their audience in the highest regard and their passion is supreme.¡±

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¡°If you see Pushpa or RRR or KGF, the making of it ¨C it is immaculate. Each and every frame is actually shot in a manner as if it were a life-and-death situation. This is what we lack. We started thinking about mainstream films only in terms of money and box office. We can¡¯t criticise ourselves. So we differentiate them by calling them ¡®alag¡¯ (different). But it¡¯s a lesson. This is a lesson for Mumbai industry mainstream filmmakers on how to make mainstream cinema," he added.

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